{"id":6912,"date":"2025-08-16T15:01:38","date_gmt":"2025-08-16T13:01:38","guid":{"rendered":"https:\/\/visionsdafrique.fr\/2025\/?post_type=intervenants&#038;p=6912"},"modified":"2025-08-16T15:01:39","modified_gmt":"2025-08-16T13:01:39","slug":"tarik-saleh-2","status":"publish","type":"intervenants","link":"https:\/\/visionsdafrique.fr\/2025\/intervenant\/tarik-saleh-2\/","title":{"rendered":"Tarik Saleh"},"content":{"rendered":"\n<p>N\u00e9 en 1972 \u00e0 Stockholm d\u2019une m\u00e8re su\u00e9doise et d\u2019un p\u00e8re \u00e9gyptien, <strong>Tarik Saleh<\/strong> est connu dans les ann\u00e9es 80 comme l\u2019un des plus c\u00e9l\u00e8bres graffeurs de la capitale su\u00e9doise. Il a ensuite r\u00e9alis\u00e9 des documentaires, notamment <em>Sacrificio : who betrayed Che Guevara<\/em> (2001), ou<em> Gitmo : the new rules of war <\/em>(2005). En 2017, <em>Le Caire confidentiel<\/em> lui apporte une reconnaissance internationale. <strong>Il obtient le Prix du sc\u00e9nario au Festival de Cannes.<\/strong><\/p>\n","protected":false},"featured_media":6835,"template":"","format":"standard","type_dintervenants":[78],"class_list":["post-6912","intervenants","type-intervenants","status-publish","format-standard","has-post-thumbnail","hentry","type_dintervenants-cineaste-2"],"acf":[],"uagb_featured_image_src":{"full":["https:\/\/visionsdafrique.fr\/2025\/wp-content\/uploads\/sites\/10\/2025\/08\/Tarik_Saleh_\u00a9\ufe0fMorganNorman.jpg",1244,1590,false],"thumbnail":["https:\/\/visionsdafrique.fr\/2025\/wp-content\/uploads\/sites\/10\/2025\/08\/Tarik_Saleh_\u00a9\ufe0fMorganNorman-150x150.jpg",150,150,true],"medium":["https:\/\/visionsdafrique.fr\/2025\/wp-content\/uploads\/sites\/10\/2025\/08\/Tarik_Saleh_\u00a9\ufe0fMorganNorman-235x300.jpg",235,300,true],"medium_large":["https:\/\/visionsdafrique.fr\/2025\/wp-content\/uploads\/sites\/10\/2025\/08\/Tarik_Saleh_\u00a9\ufe0fMorganNorman-768x982.jpg",768,982,true],"large":["https:\/\/visionsdafrique.fr\/2025\/wp-content\/uploads\/sites\/10\/2025\/08\/Tarik_Saleh_\u00a9\ufe0fMorganNorman-801x1024.jpg",801,1024,true],"1536x1536":["https:\/\/visionsdafrique.fr\/2025\/wp-content\/uploads\/sites\/10\/2025\/08\/Tarik_Saleh_\u00a9\ufe0fMorganNorman-1202x1536.jpg",1202,1536,true],"2048x2048":["https:\/\/visionsdafrique.fr\/2025\/wp-content\/uploads\/sites\/10\/2025\/08\/Tarik_Saleh_\u00a9\ufe0fMorganNorman.jpg",1244,1590,false]},"uagb_author_info":{"display_name":"Julien","author_link":"https:\/\/visionsdafrique.fr\/2025\/author\/"},"uagb_comment_info":0,"uagb_excerpt":"N\u00e9 en 1972 \u00e0 Stockholm d\u2019une m\u00e8re su\u00e9doise et d\u2019un p\u00e8re \u00e9gyptien, Tarik Saleh est connu dans les ann\u00e9es 80 comme l\u2019un des plus c\u00e9l\u00e8bres graffeurs de la capitale su\u00e9doise. Il a ensuite r\u00e9alis\u00e9 des documentaires, notamment Sacrificio : who betrayed Che Guevara (2001), ou Gitmo : the new rules of war (2005). En 2017,\u2026","_links":{"self":[{"href":"https:\/\/visionsdafrique.fr\/2025\/wp-json\/wp\/v2\/intervenants\/6912","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/visionsdafrique.fr\/2025\/wp-json\/wp\/v2\/intervenants"}],"about":[{"href":"https:\/\/visionsdafrique.fr\/2025\/wp-json\/wp\/v2\/types\/intervenants"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/visionsdafrique.fr\/2025\/wp-json\/wp\/v2\/media\/6835"}],"wp:attachment":[{"href":"https:\/\/visionsdafrique.fr\/2025\/wp-json\/wp\/v2\/media?parent=6912"}],"wp:term":[{"taxonomy":"type_dintervenants","embeddable":true,"href":"https:\/\/visionsdafrique.fr\/2025\/wp-json\/wp\/v2\/type_dintervenants?post=6912"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}