{"id":6905,"date":"2025-08-16T14:52:50","date_gmt":"2025-08-16T12:52:50","guid":{"rendered":"https:\/\/visionsdafrique.fr\/2025\/?post_type=intervenants&#038;p=6905"},"modified":"2025-08-28T17:04:08","modified_gmt":"2025-08-28T15:04:08","slug":"jean-claude-barny","status":"publish","type":"intervenants","link":"https:\/\/visionsdafrique.fr\/2025\/intervenant\/jean-claude-barny\/","title":{"rendered":"Jean-Claude Barny"},"content":{"rendered":"\n<p>N\u00e9 en Guadeloupe en 1965, autodidacte mais spectateur assidu, <strong>Jean-Claude Barny <\/strong>r\u00e9alise \u00e0 29 ans un court-m\u00e9trage. Mathieu Kassovitz lui confie alors le casting de <em>La Haine<\/em>. En 2003, son premier long-m\u00e9trage, <em>N\u00e8g Maron<\/em>, d\u00e9crit une jeunesse antillaise d\u00e9soeuvr\u00e9e, ignorante de son histoire. En 2006, il signe <em>Tropiques amers<\/em>, s\u00e9rie t\u00e9l\u00e9 sur l\u2019esclavage aux Antilles fran\u00e7aises (France 3), en 2014 <em>Rose et le soldat <\/em>(France 2) sur la p\u00e9riode vichyssoise en Martinique. Il r\u00e9alise ensuite <em>Le Gang des Antillais<\/em> et enfin <em><strong><a href=\"https:\/\/visionsdafrique.fr\/2025\/film\/fanon\/\" data-type=\"film\" data-id=\"7013\">Fanon<\/a><\/strong><\/em>.<\/p>\n","protected":false},"featured_media":6894,"template":"","format":"standard","type_dintervenants":[54],"class_list":["post-6905","intervenants","type-intervenants","status-publish","format-standard","has-post-thumbnail","hentry","type_dintervenants-realisateur"],"acf":[],"uagb_featured_image_src":{"full":["https:\/\/visionsdafrique.fr\/2025\/wp-content\/uploads\/sites\/10\/2025\/08\/jean-claude-Barny-Fanon-1-1.jpg",900,775,false],"thumbnail":["https:\/\/visionsdafrique.fr\/2025\/wp-content\/uploads\/sites\/10\/2025\/08\/jean-claude-Barny-Fanon-1-1-150x150.jpg",150,150,true],"medium":["https:\/\/visionsdafrique.fr\/2025\/wp-content\/uploads\/sites\/10\/2025\/08\/jean-claude-Barny-Fanon-1-1-300x258.jpg",300,258,true],"medium_large":["https:\/\/visionsdafrique.fr\/2025\/wp-content\/uploads\/sites\/10\/2025\/08\/jean-claude-Barny-Fanon-1-1-768x661.jpg",768,661,true],"large":["https:\/\/visionsdafrique.fr\/2025\/wp-content\/uploads\/sites\/10\/2025\/08\/jean-claude-Barny-Fanon-1-1.jpg",900,775,false],"1536x1536":["https:\/\/visionsdafrique.fr\/2025\/wp-content\/uploads\/sites\/10\/2025\/08\/jean-claude-Barny-Fanon-1-1.jpg",900,775,false],"2048x2048":["https:\/\/visionsdafrique.fr\/2025\/wp-content\/uploads\/sites\/10\/2025\/08\/jean-claude-Barny-Fanon-1-1.jpg",900,775,false]},"uagb_author_info":{"display_name":"Julien","author_link":"https:\/\/visionsdafrique.fr\/2025\/author\/"},"uagb_comment_info":0,"uagb_excerpt":"N\u00e9 en Guadeloupe en 1965, autodidacte mais spectateur assidu, Jean-Claude Barny r\u00e9alise \u00e0 29 ans un court-m\u00e9trage. Mathieu Kassovitz lui confie alors le casting de La Haine. En 2003, son premier long-m\u00e9trage, N\u00e8g Maron, d\u00e9crit une jeunesse antillaise d\u00e9soeuvr\u00e9e, ignorante de son histoire. En 2006, il signe Tropiques amers, s\u00e9rie t\u00e9l\u00e9 sur l\u2019esclavage aux Antilles\u2026","_links":{"self":[{"href":"https:\/\/visionsdafrique.fr\/2025\/wp-json\/wp\/v2\/intervenants\/6905","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/visionsdafrique.fr\/2025\/wp-json\/wp\/v2\/intervenants"}],"about":[{"href":"https:\/\/visionsdafrique.fr\/2025\/wp-json\/wp\/v2\/types\/intervenants"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/visionsdafrique.fr\/2025\/wp-json\/wp\/v2\/media\/6894"}],"wp:attachment":[{"href":"https:\/\/visionsdafrique.fr\/2025\/wp-json\/wp\/v2\/media?parent=6905"}],"wp:term":[{"taxonomy":"type_dintervenants","embeddable":true,"href":"https:\/\/visionsdafrique.fr\/2025\/wp-json\/wp\/v2\/type_dintervenants?post=6905"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}