{"id":385,"date":"2018-09-05T09:21:23","date_gmt":"2018-09-05T07:21:23","guid":{"rendered":"https:\/\/visionsdafrique.fr\/2024\/?page_id=385"},"modified":"2024-09-16T14:57:33","modified_gmt":"2024-09-16T12:57:33","slug":"cineastes-intervenants","status":"publish","type":"page","link":"https:\/\/visionsdafrique.fr\/2024\/cineastes-intervenants\/","title":{"rendered":"Les Cin\u00e9astes et Intervenants"},"content":{"rendered":"\n<h2 class=\"wp-block-heading px-5\">Les cin\u00e9astes invit\u00e9s &amp; leurs films<\/h2>\n\n\n\n<div class=\"wp-block-uagb-container uagb-block-0720f59d alignfull uagb-is-root-container\"><div class=\"uagb-container-inner-blocks-wrap\">\n<div class=\"wp-block-uagb-container uagb-block-c44a40c0\">\n<div class=\"wp-block-uagb-image uagb-block-8c70fbf0 wp-block-uagb-image--layout-default wp-block-uagb-image--effect-static wp-block-uagb-image--align-none\"><figure class=\"wp-block-uagb-image__figure\"><img decoding=\"async\" srcset=\"https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/08\/leila-kilani-e1724684431884-664x1024.jpg ,https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/08\/leila-kilani-e1724684431884.jpg 780w, https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/08\/leila-kilani-e1724684431884.jpg 360w\" sizes=\"auto, (max-width: 480px) 150px\" src=\"https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/08\/leila-kilani-e1724684431884-664x1024.jpg\" alt=\"\" class=\"uag-image-5431\" width=\"664\" height=\"1024\" title=\"leila-kilani\" loading=\"lazy\" role=\"img\"\/><\/figure><\/div>\n\n\n\n<div class=\"wp-block-group px-5\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<h3 class=\"wp-block-heading\">Le\u00efla Kilani<\/h3>\n\n\n\n<p><strong>Cin\u00e9aste marocaine<\/strong><\/p>\n\n\n\n<p>Dipl\u00f4m\u00e9e de l\u2019EHESS, <strong>Le\u00efla Kilani<\/strong> commence sa carri\u00e8re comme journaliste et r\u00e9alise \u00e0 22 ans, en 2002, son premier documentaire, <em>Tanger, r\u00eave de br\u00fbleurs<\/em>, sur de jeunes candidats \u00e0 l\u2019\u00e9migration ; puis <em>Nos lieux interdits <\/em>en 2008, autour des prisons des ann\u00e9es 1970, sous le r\u00e8gne de Hassan II. Son premier film de fiction, <em>Sur la planche<\/em> (2011)&#8230;<\/p>\n\n\n\n<div class=\"wp-block-uagb-buttons uagb-buttons__outer-wrap uagb-btn__default-btn uagb-btn-tablet__default-btn uagb-btn-mobile__default-btn uagb-block-76987039\"><div class=\"uagb-buttons__wrap uagb-buttons-layout-wrap \">\n<div class=\"wp-block-uagb-buttons-child uagb-buttons__outer-wrap uagb-block-ffa4862a wp-block-button\"><div class=\"uagb-button__wrapper\"><a class=\"uagb-buttons-repeater wp-block-button__link\" aria-label=\"\" href=\"\/intervenant\/leila-kilani\" rel=\"follow noopener\" target=\"_self\" role=\"button\"><div class=\"uagb-button__link\">En savoir plus<\/div><\/a><\/div><\/div>\n<\/div><\/div>\n<\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-uagb-container uagb-block-91de7ae0\">\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top border-bottom\" style=\"grid-template-columns:40% auto\"><figure class=\"wp-block-media-text__media\"><a href=\"https:\/\/visionsdafrique.fr\/2024\/film\/indivision\/\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/08\/08_indivision-768x1024.jpg\" alt=\"\" class=\"wp-image-5738 size-full\" srcset=\"https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/08\/08_indivision-768x1024.jpg 768w, https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/08\/08_indivision-225x300.jpg 225w, https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/08\/08_indivision-1152x1536.jpg 1152w, https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/08\/08_indivision.jpg 1200w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/a><\/figure><div class=\"wp-block-media-text__content\">\n<h3 class=\"wp-block-heading\"><strong>Indivision&nbsp;<\/strong><\/h3>\n\n\n\n<p><strong>de Le\u00efla Kilani<\/strong><br>Maroc, France \u2022 Drame, Thriller 2023 \u2022 2 h 07 \u2022&nbsp;<br>VO sous-titr\u00e9e : arabe, fran\u00e7ais &amp; espagnol \u2022 Avec Ifham Mathet, Mustafa Shimdat, Bahia Boutia El Oumani<br>Production : DKB &amp; Socco Chico Films \u2022 Distribution : DKB<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group px-5\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>Synopsis<\/strong>&nbsp;<\/p>\n\n\n\n<p>La Mansouria, une superbe propri\u00e9t\u00e9 un peu d\u00e9catie au milieu d\u2019une for\u00eat, sur les hauteurs de Tanger. Y vivent la grand-m\u00e8re Amina et Chinwiya la petite \u00ab&nbsp;bonne&nbsp;\u00bb, Lina et son p\u00e8re Anis, passionn\u00e9s tous deux par les oiseaux qui occupent le domaine, mais aussi des squatters. C\u2019est l\u2019\u00e9t\u00e9. Amina d\u00e9cide d\u2019organiser une noce et pousse sa famille \u00e0 accepter une offre immobili\u00e8re tr\u00e8s avantageuse. Anis et Lina s\u2019y opposent et Anis renonce m\u00eame \u00e0 son droit \u00e0 la propri\u00e9t\u00e9 pour faire donation de sa part aux oiseaux. Soudain le vent tourne&nbsp;; un premier feu part des collines. Une pluie d\u2019oiseaux s\u2019abat sur la for\u00eat\u2026<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-uagb-container uagb-block-4c71c8c1\">\n<p class=\"has-text-align-center m-0 has-white-color has-text-color has-link-color wp-elements-5aeb6b7569ec7f010e520a80809c06f8\"><strong>Vendredi 18 &#8211; 14 h &#8211; Cin\u00e9ma l\u2019Eldorado<br>Samedi 19 &#8211; 15 h &#8211; Cin\u00e9ma l\u2019Estran<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-uagb-image uagb-block-cee350ca wp-block-uagb-image--layout-default wp-block-uagb-image--effect-static wp-block-uagb-image--align-none\"><figure class=\"wp-block-uagb-image__figure\"><img decoding=\"async\" srcset=\"https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/A91cfdqaa_bi3qrw_a10-1024x724.jpg ,https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/A91cfdqaa_bi3qrw_a10.jpg 780w, https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/A91cfdqaa_bi3qrw_a10.jpg 360w\" sizes=\"auto, (max-width: 480px) 150px\" src=\"https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/A91cfdqaa_bi3qrw_a10-1024x724.jpg\" alt=\"\" class=\"uag-image-6127\" width=\"1024\" height=\"724\" title=\"A91cfdqaa_bi3qrw_a10\" loading=\"lazy\" role=\"img\"\/><figcaption class=\"uagb-image-caption\"><em>Droits r\u00e9serv\u00e9s<\/em><\/figcaption><\/figure><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-uagb-container uagb-block-f3ee9480 alignfull uagb-is-root-container\"><div class=\"uagb-container-inner-blocks-wrap\">\n<div class=\"wp-block-uagb-container uagb-block-da8d97a6\">\n<div class=\"wp-block-uagb-image uagb-block-b83cc528 wp-block-uagb-image--layout-default wp-block-uagb-image--effect-static wp-block-uagb-image--align-none\"><figure class=\"wp-block-uagb-image__figure\"><img decoding=\"async\" srcset=\"https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/08\/oswalde-lewat-681x1024.jpg ,https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/08\/oswalde-lewat-scaled.jpg 780w, https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/08\/oswalde-lewat-scaled.jpg 360w\" sizes=\"auto, (max-width: 480px) 150px\" src=\"https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/08\/oswalde-lewat-681x1024.jpg\" alt=\"\" class=\"uag-image-5425\" width=\"664\" height=\"1024\" title=\"oswalde-lewat\" loading=\"lazy\" role=\"img\"\/><\/figure><\/div>\n\n\n\n<div class=\"wp-block-group px-5\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<h3 class=\"wp-block-heading\">Osvalde Lewat<\/h3>\n\n\n\n<p><strong>Cin\u00e9aste camerounaise<\/strong><\/p>\n\n\n\n<p>Photographe, \u00e9crivaine, cin\u00e9aste, native de Garoua au Cameroun, <strong>Osvalde Lewat<\/strong> \u00e9tudie le journalisme \u00e0 l\u2019ESSTIC de Yaound\u00e9 puis \u00e0 Sciences Po Paris. Apr\u00e8s des d\u00e9buts de journaliste, elle se tourne tr\u00e8s vite vers le cin\u00e9ma&nbsp;(FEMIS-Paris et INIS-Montr\u00e9al) et r\u00e9alise <em>Le<\/em> <em>calumet de l\u2019espoir<\/em> sur des Am\u00e9rindiens&nbsp;(2000), <em>Au del\u00e0 de la peine, <\/em>portrait d\u2019un prisonnier injustement incarc\u00e9r\u00e9 au Cameroun (2003)&#8230;<\/p>\n\n\n\n<div class=\"wp-block-uagb-buttons uagb-buttons__outer-wrap uagb-btn__default-btn uagb-btn-tablet__default-btn uagb-btn-mobile__default-btn uagb-block-abbed2a0\"><div class=\"uagb-buttons__wrap uagb-buttons-layout-wrap \">\n<div class=\"wp-block-uagb-buttons-child uagb-buttons__outer-wrap uagb-block-c7f4f575 wp-block-button\"><div class=\"uagb-button__wrapper\"><a class=\"uagb-buttons-repeater wp-block-button__link\" aria-label=\"\" href=\"\/intervenant\/osvalde-lewat\" rel=\"follow noopener\" target=\"_self\" role=\"button\"><div class=\"uagb-button__link\">En savoir plus<\/div><\/a><\/div><\/div>\n<\/div><\/div>\n<\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-uagb-container uagb-block-c0b578aa\">\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top border-bottom\" style=\"grid-template-columns:40% auto\"><figure class=\"wp-block-media-text__media\"><a href=\"https:\/\/visionsdafrique.fr\/2024\/film\/mk-larmee-secrete-de-mandela\/\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/08\/17_MK-larmee-secrete-de-mandela_documentaire-768x1024.jpg\" alt=\"\" class=\"wp-image-5745 size-full\" srcset=\"https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/08\/17_MK-larmee-secrete-de-mandela_documentaire-768x1024.jpg 768w, https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/08\/17_MK-larmee-secrete-de-mandela_documentaire-225x300.jpg 225w, https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/08\/17_MK-larmee-secrete-de-mandela_documentaire.jpg 1000w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/a><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-text-align-center custom-tag\">Documentaire<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>MK, l&rsquo;arm\u00e9e secr\u00e8te de Mandela<\/strong><\/h3>\n\n\n\n<p><strong>d<\/strong>&lsquo;<strong>Osvalde Lewat<\/strong><br>France \u2022 2022 \u2022 documentaire \u2022 52\u2019 \u2022 HD \u2022 VO sous-titr\u00e9e, anglais \u2022 \u00c9crit et r\u00e9alis\u00e9 par Osvalde Lewat<br>Production : Temps noir, Roches Noires, Arte France<br>Diffuseur : ARTE France<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group px-5\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p><strong>Synopsis<\/strong>&nbsp;<\/p>\n\n\n\n<p>Apr\u00e8s le massacre de Sharpeville en 1961, le Congr\u00e8s national africain (ANC) abandonne la non-violence pour la lutte arm\u00e9e. Nelson Mandela cr\u00e9e et dirige <em>Umkhonto we Sizwe<\/em> (MK) \u2013 la lance de la Nation \u2013 avec de jeunes r\u00e9volutionnaires noirs, indiens et blancs. La r\u00e9alisatrice nous r\u00e9v\u00e8le un Mandela chef d\u2019une arm\u00e9e de gu\u00e9rilla et donne la parole \u00e0 d\u2019anciens soldats qui racontent leur engagement mais aussi leurs r\u00eaves d\u00e9\u00e7us. Illustr\u00e9 par des archives fortes, le film est un hommage aux h\u00e9ros oubli\u00e9s de la lutte contre l\u2019apartheid, qui ont sacrifi\u00e9 leur vie pour lib\u00e9rer l\u2019Afrique du Sud de l\u2019oppression raciale.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-uagb-container uagb-block-582f31d9\">\n<p class=\"has-text-align-center m-0 has-white-color has-text-color has-link-color wp-elements-d7930c6f5ce120fea2924693fab11be2\"><strong>Jeudi 17 &#8211; 21 h &#8211; Cin\u00e9ma l\u2019Estran<br>Vendredi 18 &#8211; 12 h &#8211; Cin\u00e9ma l\u2019Eldorado<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-uagb-container uagb-block-ce234d4e alignfull uagb-is-root-container\"><div class=\"uagb-container-inner-blocks-wrap\">\n<div class=\"wp-block-uagb-container uagb-block-655c3ce8\">\n<div class=\"wp-block-uagb-image alignleft uagb-block-4b763eb4 wp-block-uagb-image--layout-default wp-block-uagb-image--effect-static wp-block-uagb-image--align-left\"><figure class=\"wp-block-uagb-image__figure\"><img decoding=\"async\" srcset=\"https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/08\/CEUNINCK_Yuri_2021_BW_by_Natasha_Craveiro-Ceuninck_expand.jpeg ,https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/08\/CEUNINCK_Yuri_2021_BW_by_Natasha_Craveiro-Ceuninck_expand.jpeg 780w, https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/08\/CEUNINCK_Yuri_2021_BW_by_Natasha_Craveiro-Ceuninck_expand.jpeg 360w\" sizes=\"auto, (max-width: 480px) 150px\" src=\"https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/08\/CEUNINCK_Yuri_2021_BW_by_Natasha_Craveiro-Ceuninck_expand.jpeg\" alt=\"\" class=\"uag-image-5423\" width=\"664\" height=\"353\" title=\"CEUNINCK_Yuri_2021_BW_by_Natasha_Craveiro-Ceuninck_expand\" loading=\"lazy\" role=\"img\"\/><\/figure><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-uagb-container uagb-block-be9e7f9b\">\n<div class=\"wp-block-group p-5\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-uagb-advanced-heading uagb-block-dedcb0bd\"><p class=\"uagb-desc-text\">Hommage en sa pr\u00e9sence \u00e0 <\/p><h2 class=\"uagb-heading-text\">Carlos Yuri Ceuninck<\/h2><\/div>\n\n\n\n<p><strong>Cin\u00e9aste cap-verdien<\/strong><\/p>\n\n\n\n<p><strong>En partenariat avec <em>Cin\u00e9mondes,&nbsp;<\/em>festival international du film ind\u00e9pendant de Berck-sur-Mer.<\/strong><\/p>\n\n\n\n<p>Carlos Yuri Ceuninck est un cin\u00e9aste cap-verdien dont le travail se distingue par une approche artistique et une sensibilit\u00e9 uniques, profond\u00e9ment ancr\u00e9es dans les r\u00e9alit\u00e9s culturelles et sociales du Cap-Vert. R\u00e9alisateur, sc\u00e9nariste et producteur cap-verdien et belge, Carlos Yuri Ceuninck est n\u00e9 en 1976 \u00e0 Santo Antao (\u00eeles du Cap-Vert). Il a \u00e9tudi\u00e9 l\u2019histoire de l\u2019art, les langues \u00e9trang\u00e8res (en Belgique), puis l\u2019anthropologie et l\u2019anglais aux USA&#8230;<\/p>\n\n\n\n<div class=\"wp-block-uagb-buttons uagb-buttons__outer-wrap uagb-btn__default-btn uagb-btn-tablet__default-btn uagb-btn-mobile__default-btn uagb-block-c9e34fea\"><div class=\"uagb-buttons__wrap uagb-buttons-layout-wrap \">\n<div class=\"wp-block-uagb-buttons-child uagb-buttons__outer-wrap uagb-block-78859ceb wp-block-button\"><div class=\"uagb-button__wrapper\"><a class=\"uagb-buttons-repeater wp-block-button__link\" aria-label=\"\" href=\"\/intervenant\/carlos-yuri-ceuninck\" rel=\"follow noopener\" target=\"_self\" role=\"button\"><div class=\"uagb-button__link\">En savoir plus<\/div><\/a><\/div><\/div>\n<\/div><\/div>\n<\/div><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-uagb-container uagb-block-b8eeac23 alignfull uagb-is-root-container\"><div class=\"uagb-container-inner-blocks-wrap\">\n<div class=\"wp-block-uagb-container uagb-block-9155b10c\">\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top is-image-fill border-bottom\" style=\"grid-template-columns:40% auto\"><figure class=\"wp-block-media-text__media\" style=\"background-image:url(https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/08\/dona-monica.jpg);background-position:50% 50%\"><a href=\"https:\/\/visionsdafrique.fr\/2024\/film\/dona-monica\/\"><img loading=\"lazy\" decoding=\"async\" width=\"650\" height=\"480\" src=\"https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/08\/dona-monica.jpg\" alt=\"\" class=\"wp-image-5749 size-full\" srcset=\"https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/08\/dona-monica.jpg 650w, https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/08\/dona-monica-300x222.jpg 300w\" sizes=\"auto, (max-width: 650px) 100vw, 650px\" \/><\/a><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-text-align-center custom-tag\">Documentaire<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Dona M\u00f3nica<\/strong><\/h3>\n\n\n\n<p><strong>de Carlos Yuri Ceuninck<br><\/strong>Cap-Vert, Belgique \u2022 2020 \u2022 Documentaire \u2022&nbsp;CM 7\u2019 \u2022 VO sous-titr\u00e9e, cr\u00e9ole cap-verdien&nbsp;<br>Avec Dona M\u00f3nica&nbsp;<br>Production&nbsp;: Kori Kaxoru Films&nbsp;\u2022&nbsp;Distribution&nbsp;:&nbsp; Kori Kaxoru Films<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group px-5\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p><strong>Synopsis<\/strong>&nbsp;<\/p>\n\n\n\n<p>Portrait intime de Dona M\u00f3nica, l\u2019un des premiers transgenres de l\u2019\u00cele de Santiago, au Cap-Vert. De l\u2019enfance \u00e0 la vie adulte, c\u2019est un voyage de luttes LGBT+, de r\u00e9alisations, \u00e0 la recherche de sa place dans la soci\u00e9t\u00e9 cap-verdienne (\u00e0 forte influence catholique et conservatrice).<\/p>\n<\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-uagb-container uagb-block-4573b15c\">\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top border-bottom\" style=\"grid-template-columns:40% auto\"><figure class=\"wp-block-media-text__media\"><a href=\"https:\/\/visionsdafrique.fr\/2024\/film\/lhomme-nouveau-omi-nobu\/\"><img loading=\"lazy\" decoding=\"async\" width=\"724\" height=\"1024\" src=\"https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/08\/omi-nobu-724x1024.jpg\" alt=\"\" class=\"wp-image-5760 size-full\" srcset=\"https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/08\/omi-nobu-724x1024.jpg 724w, https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/08\/omi-nobu-212x300.jpg 212w, https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/08\/omi-nobu-768x1086.jpg 768w, https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/08\/omi-nobu-1086x1536.jpg 1086w, https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/08\/omi-nobu-1448x2048.jpg 1448w, https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/08\/omi-nobu-scaled.jpg 1810w\" sizes=\"auto, (max-width: 724px) 100vw, 724px\" \/><\/a><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-text-align-center custom-tag\">Documentaire<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>L\u2019Homme nouveau (Omi Nobu)<\/strong><\/h3>\n\n\n\n<p><strong>d<\/strong>&lsquo;<strong>Osvalde Lewat<\/strong><br>France \u2022 2022 \u2022 documentaire \u2022 52\u2019 \u2022 HD \u2022 VO sous-titr\u00e9e, anglais \u2022 \u00c9crit et r\u00e9alis\u00e9 par Osvalde Lewat<br>Production : Temps noir, Roches Noires, Arte France<br>Diffuseur : ARTE France<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group px-5\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p><strong>Synopsis<\/strong>&nbsp;<\/p>\n\n\n\n<p>Quirino, un homme de 76 ans, habite depuis plus de 30 ans dans un village abandonn\u00e9, Ribeira Funda, au fond d\u2019une profonde vall\u00e9e, entre mer et montagne. Commen\u00e7ant \u00e0 se sentir vieillir, Quirino est confront\u00e9 \u00e0 un dilemme&nbsp;: quitter le seul endroit qu\u2019il ait jamais connu ou y terminer ses jours.<br><\/p>\n<\/div><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-uagb-container uagb-block-0f1252a4 alignfull uagb-is-root-container\"><div class=\"uagb-container-inner-blocks-wrap\">\n<p class=\"has-text-align-center m-0 has-white-color has-text-color has-link-color wp-elements-c1caa523f85fd99a2db304f7ef7bc577\">Mercredi 16 &#8211; 21 h &#8211; Cin\u00e9ma l\u2019Eldorado<br>Jeudi 17 &#8211; 16 h &#8211; Cin\u00e9ma l\u2019Estran<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-uagb-container uagb-layout-flex uagb-block-e067c1e8 alignfull uagb-is-root-container\"><div class=\"uagb-container-inner-blocks-wrap\">\n<div class=\"wp-block-uagb-container uagb-layout-flex uagb-block-24a67026\">\n<div class=\"wp-block-uagb-image uagb-block-9632a189 wp-block-uagb-image--layout-default wp-block-uagb-image--effect-static wp-block-uagb-image--align-none\"><figure class=\"wp-block-uagb-image__figure\"><img decoding=\"async\" srcset=\"https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/diop-bloc-e1725694810245.jpg ,https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/diop-bloc-e1725694810245.jpg 780w, https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/diop-bloc-e1725694810245.jpg 360w\" sizes=\"auto, (max-width: 480px) 150px\" src=\"https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/diop-bloc-e1725694810245.jpg\" alt=\"\" class=\"uag-image-6189\" width=\"1600\" height=\"634\" title=\"diop-bloc\" loading=\"lazy\" role=\"img\"\/><\/figure><\/div>\n\n\n\n<div class=\"wp-block-group p-5\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-uagb-advanced-heading uagb-block-42c08218\"><p class=\"uagb-desc-text\">L\u2019exigence en partage :<\/p><h2 class=\"uagb-heading-text\">Les Diop, une famille de cin\u00e9ma<\/h2><\/div>\n\n\n\n<p><em>\u00ab&nbsp;Djibril Diop Mambety nous a laiss\u00e9 pour tout bagage un h\u00e9ritage : l&rsquo;exigence. Exigence, devoir de m\u00e9moire, m\u00e9moire vive, m\u00e9moire critique. Un passeur d&rsquo;espoir, un passeur de<\/em> <em>lumi\u00e8re<\/em>.&nbsp;\u00bb<br>Catherine Ruelle, 1998.<br><\/p>\n<\/div><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-uagb-container uagb-block-510f0e29 alignfull uagb-is-root-container\"><div class=\"uagb-container-inner-blocks-wrap\">\n<div class=\"wp-block-uagb-container uagb-block-657430b1\">\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-center is-image-fill border-bottom\" style=\"grid-template-columns:40% auto\"><figure class=\"wp-block-media-text__media\" style=\"background-image:url(https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/djbril-diop_2-753x1024.jpg);background-position:50% 50%\"><img loading=\"lazy\" decoding=\"async\" width=\"753\" height=\"1024\" src=\"https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/djbril-diop_2-753x1024.jpg\" alt=\"\" class=\"wp-image-5782 size-full\" srcset=\"https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/djbril-diop_2-753x1024.jpg 753w, https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/djbril-diop_2-221x300.jpg 221w, https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/djbril-diop_2-768x1045.jpg 768w, https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/djbril-diop_2-1129x1536.jpg 1129w, https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/djbril-diop_2.jpg 1176w\" sizes=\"auto, (max-width: 753px) 100vw, 753px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<h3 class=\"wp-block-heading\"><strong>Djibril Diop Mambety<\/strong><\/h3>\n\n\n\n<p><strong>Acteur et cin\u00e9aste<\/strong><br>S\u00e9n\u00e9gal<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group px-5\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p>Cin\u00e9aste embl\u00e9matique des ann\u00e9es 70, Djibril Diop Mambety a marqu\u00e9 les cin\u00e9mas d\u2019Afrique avec des \u0153uvres puissantes mais seulement deux longs-m\u00e9trages, <em>Touki Bouki<\/em> en 1972 et <em>Hy\u00e8nes<\/em> en 1992. Acteur, r\u00e9alisateur, sc\u00e9nariste et producteur s\u00e9n\u00e9galais, n\u00e9 en janvier 1945 \u00e0 Dakar (S\u00e9n\u00e9gal), il d\u00e9c\u00e8de le jeudi 23 juillet 1998 \u00e0 Paris (France) \u00e0 l\u2019\u00e2ge de 53 ans&#8230;<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-uagb-buttons uagb-buttons__outer-wrap uagb-btn__default-btn uagb-btn-tablet__default-btn uagb-btn-mobile__default-btn uagb-block-08dea88b\"><div class=\"uagb-buttons__wrap uagb-buttons-layout-wrap \">\n<div class=\"wp-block-uagb-buttons-child uagb-buttons__outer-wrap uagb-block-0487a70f wp-block-button\"><div class=\"uagb-button__wrapper\"><a class=\"uagb-buttons-repeater wp-block-button__link\" aria-label=\"\" href=\"\/intervenant\/djibril-diop-mambety\" rel=\"follow noopener\" target=\"_self\" role=\"button\"><div class=\"uagb-button__link\">En savoir plus<\/div><\/a><\/div><\/div>\n<\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-uagb-container uagb-block-c25f15e8\">\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-center is-image-fill border-bottom\" style=\"grid-template-columns:40% auto\"><figure class=\"wp-block-media-text__media\" style=\"background-image:url(https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/Senegal-Mu-22-05-Wasis-Diop\u00a9-Catherine-et-Bernard-Desjeux-1-735x1024.jpg);background-position:50% 50%\"><img loading=\"lazy\" decoding=\"async\" width=\"735\" height=\"1024\" src=\"https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/Senegal-Mu-22-05-Wasis-Diop\u00a9-Catherine-et-Bernard-Desjeux-1-735x1024.jpg\" alt=\"\" class=\"wp-image-6190 size-full\" srcset=\"https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/Senegal-Mu-22-05-Wasis-Diop\u00a9-Catherine-et-Bernard-Desjeux-1-735x1024.jpg 735w, https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/Senegal-Mu-22-05-Wasis-Diop\u00a9-Catherine-et-Bernard-Desjeux-1-215x300.jpg 215w, https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/Senegal-Mu-22-05-Wasis-Diop\u00a9-Catherine-et-Bernard-Desjeux-1-768x1070.jpg 768w, https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/Senegal-Mu-22-05-Wasis-Diop\u00a9-Catherine-et-Bernard-Desjeux-1-1103x1536.jpg 1103w, https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/Senegal-Mu-22-05-Wasis-Diop\u00a9-Catherine-et-Bernard-Desjeux-1.jpg 1181w\" sizes=\"auto, (max-width: 735px) 100vw, 735px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<h3 class=\"wp-block-heading\"><strong>Wasis Diop<\/strong><\/h3>\n\n\n\n<p><strong>Acteur, r\u00e9alisateur, musicien, compositeur de musique de films<\/strong><br>S\u00e9n\u00e9gal<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group px-5\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p>Auteur-compositeur et interpr\u00e8te rare et m\u00e9ticuleux,&nbsp;<strong>Wasis Diop<\/strong>&nbsp;partage son temps de cr\u00e9ation entre musiques pour le cin\u00e9ma, chansons \u00ab&nbsp;ourl\u00e9es&nbsp;\u00bb, et com\u00e9dies musicales, (<em>l\u2019Op\u00e9ra du Sahel<\/em> 2007). Wasis Diop a une importance toute particuli\u00e8re sur la sc\u00e8ne musicale cin\u00e9matographique. Pionnier de la world music dans les ann\u00e9es 70&#8230;.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-uagb-buttons uagb-buttons__outer-wrap uagb-btn__default-btn uagb-btn-tablet__default-btn uagb-btn-mobile__default-btn uagb-block-29273b87\"><div class=\"uagb-buttons__wrap uagb-buttons-layout-wrap \">\n<div class=\"wp-block-uagb-buttons-child uagb-buttons__outer-wrap uagb-block-b36fd2f4 wp-block-button\"><div class=\"uagb-button__wrapper\"><a class=\"uagb-buttons-repeater wp-block-button__link\" aria-label=\"\" href=\"\/intervenant\/wasis-diop\" rel=\"follow noopener\" target=\"_self\" role=\"button\"><div class=\"uagb-button__link\">En savoir plus<\/div><\/a><\/div><\/div>\n<\/div><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-uagb-container uagb-block-39cd0bd9 alignfull uagb-is-root-container\"><div class=\"uagb-container-inner-blocks-wrap\">\n<div class=\"wp-block-uagb-container uagb-block-480ccd52\">\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top border-bottom\" style=\"grid-template-columns:40% auto\"><figure class=\"wp-block-media-text__media\"><a href=\"https:\/\/visionsdafrique.fr\/2024\/film\/touki-bouki\/\"><img loading=\"lazy\" decoding=\"async\" width=\"693\" height=\"1000\" src=\"https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/DIOP-03_touki-bouki.jpg\" alt=\"\" class=\"wp-image-5787 size-full\" srcset=\"https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/DIOP-03_touki-bouki.jpg 693w, https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/DIOP-03_touki-bouki-208x300.jpg 208w\" sizes=\"auto, (max-width: 693px) 100vw, 693px\" \/><\/a><\/figure><div class=\"wp-block-media-text__content\">\n<h3 class=\"wp-block-heading\"><strong>Touki Bouki<\/strong><\/h3>\n\n\n\n<p><strong>de Djibril DIOP Mambety, pr\u00e9sent\u00e9 par Wasis Diop<\/strong><br>S\u00e9n\u00e9gal \u2022 1973 \u2022 Fiction \u2022&nbsp;1 h 35 \u2022 VO sous-titr\u00e9e, wolof &amp; fran\u00e7ais<br>Avec&nbsp;: Mar\u00e8me Niang, Magaye Niang, Aminata Fall<br>Production&nbsp;: Cin\u00e9grit, Kankourama&nbsp;<br>Distribution&nbsp;: Maag Daan Film &amp; TV<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group px-5\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>Synopsis<\/strong><\/p>\n\n\n\n<p>Mory, jeune berger venu \u00e0 Dakar vendre son troupeau aux abattoirs, rencontre Anta, une \u00e9tudiante r\u00e9volutionnaire. Tous deux cherchent \u00e0 se procurer par tous les moyens de l\u2019argent pour partir \u00e0 Paris. Apr\u00e8s de nombreuses p\u00e9rip\u00e9ties, ils se retrouvent sur le pont d\u2019un bateau en partance pour la France. Mais, au dernier moment, Mory refuse de quitter sa terre natale pour un nouveau mirage.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-uagb-container uagb-block-4e6848d1\">\n<p class=\"has-text-align-center m-0 has-white-color has-text-color has-link-color wp-elements-a9a5a3881b4d403f28c70a34d81f005c\"><strong>Samedi 19 &#8211; 14 h 30 &#8211; Cin\u00e9ma l\u2019Eldorado<br>Dimanche 20 &#8211; 15 h &#8211; Cin\u00e9ma l\u2019Estran<br>Mardi 22 &#8211; 11 h &#8211; Cin\u00e9ma l\u2019Eldorado<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-uagb-image uagb-block-aacc5e11 wp-block-uagb-image--layout-default wp-block-uagb-image--effect-static wp-block-uagb-image--align-none\"><figure class=\"wp-block-uagb-image__figure\"><img decoding=\"async\" srcset=\"https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/touki_bouki.webp ,https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/touki_bouki.webp 780w, https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/touki_bouki.webp 360w\" sizes=\"auto, (max-width: 480px) 150px\" src=\"https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/touki_bouki.webp\" alt=\"\" class=\"uag-image-5837\" width=\"1200\" height=\"675\" title=\"touki_bouki\" loading=\"lazy\" role=\"img\"\/><\/figure><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-uagb-container uagb-block-03e00480\">\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top border-bottom\" style=\"grid-template-columns:40% auto\"><figure class=\"wp-block-media-text__media\"><a href=\"https:\/\/visionsdafrique.fr\/2024\/film\/hyenes\/\"><img loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"1024\" src=\"https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/DIOP-02_hyenes.jpg\" alt=\"\" class=\"wp-image-5833 size-full\" srcset=\"https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/DIOP-02_hyenes.jpg 683w, https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/DIOP-02_hyenes-200x300.jpg 200w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><\/a><\/figure><div class=\"wp-block-media-text__content\">\n<h3 class=\"wp-block-heading\"><strong>Hy\u00e8nes\u2028<\/strong><\/h3>\n\n\n\n<p><strong>de Djibril Diop Mambety, pr\u00e9sent\u00e9 par Wasis Diop&nbsp;<\/strong><br>S\u00e9n\u00e9gal \u2022&nbsp; 1992 \u2022 Fiction \u2022 1 H 50 &nbsp; \u2022 VO sous-titr\u00e9e, wolof<br><strong>Sc\u00e9nario et r\u00e9alisation&nbsp;:<\/strong> Djibril Diop Mambety<br>Avec : Ami Diakhat\u00e9, Mansour Diouf, Djibril Diop, Mahouredia Gueye, Issa Samb, Hanny Tchelley.&nbsp;<br>Musique&nbsp;: Wasis Diop&nbsp;<br>Production&nbsp;: Pierre Alain Meier&nbsp;<br>Distribution&nbsp;: Jhrfilms.com, Trigon-film.org<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group px-5\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p><strong>Synopsis<\/strong><\/p>\n\n\n\n<p>Colobane, une cit\u00e9 fant\u00f4me au charme foudroy\u00e9 par la mis\u00e8re, endormie dans la chaleur poussi\u00e9reuse du Sahel. Des griots annoncent une incroyable nouvelle&nbsp;: apr\u00e8s trente ans, Lingu\u00e8re Ramatou est de retour. Devenue multimillionnaire, \u00ab plus riche que la Banque Mondiale \u00bb, Lingu\u00e8re arrive, majestueuse, v\u00eatue de noir et d\u2019or. La foule se pr\u00e9cipite pour l\u2019accueillir. Au premier rang, Draman Drameh qui fut jadis son amant. Lingu\u00e8re annonce qu\u2019elle va faire pleuvoir ses largesses sur la ville mais \u00e0 une condition : que Draman soit condamn\u00e9 \u00e0 mort, car il l\u2019a autrefois trahie.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-uagb-container uagb-block-3511dd26\">\n<p class=\"has-text-align-center m-0 has-white-color has-text-color has-link-color wp-elements-0b00c47fbf937d116e32fc0f37e4eab7\"><strong>Samedi 19 &#8211; 21 h &#8211; Cin\u00e9ma l\u2019Eldorado<br>Dimanche 20 &#8211; 21 h &#8211; Cin\u00e9ma l\u2019Estran<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-uagb-container uagb-block-d7a89922 alignfull uagb-is-root-container\"><div class=\"uagb-container-inner-blocks-wrap\">\n<div class=\"wp-block-uagb-container uagb-block-ff7269ed\">\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top border-bottom\" style=\"grid-template-columns:40% auto\"><figure class=\"wp-block-media-text__media\"><a href=\"https:\/\/visionsdafrique.fr\/2024\/film\/mille-soleils\/\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/DIOP-04_mille-soleils-768x1024.webp\" alt=\"\" class=\"wp-image-5834 size-full\" srcset=\"https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/DIOP-04_mille-soleils-768x1024.webp 768w, https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/DIOP-04_mille-soleils-225x300.webp 225w, https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/DIOP-04_mille-soleils-1152x1536.webp 1152w, https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/DIOP-04_mille-soleils.webp 1200w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/a><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-text-align-center custom-tag\">Documentaire<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Mille Soleils<\/strong><\/h3>\n\n\n\n<p><strong>de Mati Diop<br><\/strong>France \u2022 2013 \u2022 Documentaire \u2022 45\u2019 \u2022 VO wolof &#8211; fran\u00e7ais \u2022 sous-titres fran\u00e7ais<br>Avec&nbsp;: Magaye Niang,&nbsp;Mar\u00e8me Niang<br>Production-Distribution :&nbsp;Anna Sanders Films<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group px-5\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p><strong>Synopsis<\/strong><\/p>\n\n\n\n<p>En 1972, Djibril Diop Mambety tourne&nbsp;<em>Touki Bouki<\/em>, l\u2019histoire de Mory et Anta, deux amants adolescents qui partagent le m\u00eame r\u00eave&nbsp;: quitter Dakar pour Paris. Anta embarque. Mory, lui, reste seul sur les quais, incapable de s\u2019arracher \u00e0 sa terre natale. Quarante ans plus tard, Mati Diop tourne Mille Soleils, autour de l\u2019h\u00e9ritage personnel et collectif du film <em>Touki Bouki<\/em>. Que s\u2019est-il pass\u00e9 depuis 1972 ? Magaye Niang, le h\u00e9ros du film, n\u2019a jamais quitt\u00e9 Dakar. Et aujourd\u2019hui, il se demande o\u00f9 est pass\u00e9e Anta, son amour de jeunesse.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-uagb-container uagb-block-a84cec1e\">\n<p class=\"has-text-align-center m-0 has-white-color has-text-color has-link-color wp-elements-639a9e5341767ac56264b9f0f1cdd952\"><strong>Samedi 19 &#8211; 17 h &#8211; Cin\u00e9ma l\u2019Eldorado<br>Dimanche 20 &#8211; 17 h 15 &#8211; Cin\u00e9ma l\u2019Estran<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-uagb-container uagb-block-523d4ac8\">\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top border-bottom\" style=\"grid-template-columns:40% auto\"><figure class=\"wp-block-media-text__media\"><a href=\"https:\/\/visionsdafrique.fr\/2024\/film\/joe-ouakam\/\"><img loading=\"lazy\" decoding=\"async\" width=\"444\" height=\"600\" src=\"https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/OUAKAM_Joe_2012_byBiennaleDakar.jpg\" alt=\"\" class=\"wp-image-5871 size-full\" srcset=\"https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/OUAKAM_Joe_2012_byBiennaleDakar.jpg 444w, https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/OUAKAM_Joe_2012_byBiennaleDakar-222x300.jpg 222w\" sizes=\"auto, (max-width: 444px) 100vw, 444px\" \/><\/a><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-text-align-center custom-tag\">Documentaire<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Joe Ouakam<\/strong><\/h3>\n\n\n\n<p><strong>de Wasis Diop&nbsp;<\/strong><br>S\u00e9n\u00e9gal \u2022 2010 \u2022 Documentaire \u2022 25 minutes \u2022 Couleur<br>Production, distribution : DDM Cin\u00e9ma<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group px-5\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p><strong>Synopsis<\/strong><\/p>\n\n\n\n<p>La journ\u00e9e ordinaire d\u2019un artiste agitateur, philosophe et po\u00e8te, Joe Ouakam, d\u00e9c\u00e9d\u00e9 en avril 2017. Il marche inlassablement dans les rues de Dakar, parle \u00e0 haute voix, bavarde avec les hommes et avec les esprits. \u00ab&nbsp;Toute ma vie, dit-il, je me suis battu avec l\u2019id\u00e9e, le temps\u2026&nbsp;\u00bb.&nbsp;\u00ab&nbsp;Ce r\u00e9volutionnaire authentique, intellectuel organique&nbsp;\u00bb fut un des fondateurs du laboratoire Agit\u2019Art, il \u00e9tait aussi l\u2019un des cofondateurs de la galerie T\u00ebnq au Village des arts de Dakar. Joe avait une passion pour le cin\u00e9ma, et on le retrouve dans le r\u00f4le du professeur dans <em>Hy\u00e8nes <\/em>de Djibril Diop Mambety en 1992.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-uagb-container uagb-block-0ce5c8ac\">\n<p class=\"has-text-align-center m-0 has-white-color has-text-color has-link-color wp-elements-8f7fe8c0e52a509b1a85654e17fd9ce2\"><strong>Samedi 19 &#8211; 19 h &#8211; Cin\u00e9ma l\u2019Eldorado<br>Dimanche 20 &#8211; 19 h &#8211; Cin\u00e9ma l\u2019Estran<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-uagb-container uagb-block-be89c434 alignfull uagb-is-root-container\"><div class=\"uagb-container-inner-blocks-wrap\">\n<div class=\"wp-block-uagb-container uagb-block-d9f0a957\">\n<div class=\"wp-block-uagb-image uagb-block-0b173eb9 wp-block-uagb-image--layout-default wp-block-uagb-image--effect-static wp-block-uagb-image--align-none\"><figure class=\"wp-block-uagb-image__figure\"><img decoding=\"async\" srcset=\"https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/mohamed-zinet-683x1024.jpg ,https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/mohamed-zinet.jpg 780w, https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/mohamed-zinet.jpg 360w\" sizes=\"auto, (max-width: 480px) 150px\" src=\"https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/mohamed-zinet-683x1024.jpg\" alt=\"\" class=\"uag-image-5803\" width=\"664\" height=\"1024\" title=\"mohamed-zinet\" loading=\"lazy\" role=\"img\"\/><\/figure><\/div>\n\n\n\n<div class=\"wp-block-group p-5\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-uagb-advanced-heading uagb-block-47827baa\"><p class=\"uagb-desc-text\">Hommage \u00e0<\/p><h2 class=\"uagb-heading-text\">Mohamed Zinet<\/h2><\/div>\n\n\n\n<p>N\u00e9 dans la casbah d\u2019Alger le 16 janvier 1932, Mohamed Zinet rejoint l\u2019Arm\u00e9e nationale de lib\u00e9ration pendant la guerre. Bless\u00e9, il est envoy\u00e9 en Tunisie, o\u00f9 il int\u00e8gre la troupe de th\u00e9\u00e2tre du FLN. Il a fait partie du Th\u00e9\u00e2tre national alg\u00e9rien. Au cin\u00e9ma, il a \u00e9t\u00e9 l\u2019assistant de Gillo Pontecorvo pour <em>la Bataille d\u2019Alger <\/em>en 1965.&nbsp; Acteur dans de nombreux films fran\u00e7ais, dont <em>Trois cousins<\/em> (R. Vautier, 1970) <em>Dupont Lajoie<\/em> (Y. Boisset, 1975), il doit son seul premier r\u00f4le \u00e0 Daniel Moosmann, dans <em>Le Bougnoul <\/em>en 1975. <em>Tahia Ya Didou <\/em>est son unique film de cin\u00e9aste.<br><\/p>\n\n\n\n<div class=\"wp-block-uagb-buttons uagb-buttons__outer-wrap uagb-btn__default-btn uagb-btn-tablet__default-btn uagb-btn-mobile__default-btn uagb-block-dda1d80f\"><div class=\"uagb-buttons__wrap uagb-buttons-layout-wrap \">\n<div class=\"wp-block-uagb-buttons-child uagb-buttons__outer-wrap uagb-block-bfb53f5a wp-block-button\"><div class=\"uagb-button__wrapper\"><a class=\"uagb-buttons-repeater wp-block-button__link\" aria-label=\"\" href=\"\/intervenant\/mohamed-zinet\" rel=\"follow noopener\" target=\"_self\" role=\"button\"><div class=\"uagb-button__link\">En savoir plus<\/div><\/a><\/div><\/div>\n<\/div><\/div>\n<\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-uagb-container uagb-block-46177712\">\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top border-bottom\" style=\"grid-template-columns:40% auto\"><figure class=\"wp-block-media-text__media\"><a href=\"https:\/\/visionsdafrique.fr\/2024\/film\/mille-soleils\/\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/15_tahia-ya-didou-682x1024.jpg\" alt=\"\" class=\"wp-image-5827 size-full\" srcset=\"https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/15_tahia-ya-didou-682x1024.jpg 682w, https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/15_tahia-ya-didou-200x300.jpg 200w, https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/15_tahia-ya-didou-768x1153.jpg 768w, https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/15_tahia-ya-didou-1023x1536.jpg 1023w, https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/15_tahia-ya-didou.jpg 1280w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" \/><\/a><\/figure><div class=\"wp-block-media-text__content\">\n<h3 class=\"wp-block-heading\"><strong>Tahia Ya Didou<\/strong><\/h3>\n\n\n\n<p><strong>de Mohamed Zinet<br><\/strong>Alg\u00e9rie \u2022 1971 \u2022 Fiction \u2022 1 h 16 \u2022 Couleur \u2022 VO sous-titr\u00e9e, arabe&nbsp;<br>Adapt\u00e9 de : <em>Himoud Brahimi<\/em> \u2022 Sc\u00e9nario : Mohamed Zinet \u2022 Musique : Hadj M\u2019hamed el-Anka&nbsp;<br>Avec Himoud Brahimi, Mohamed Zinet, Georges Arnaud&nbsp;<br>Production&nbsp;: Mairie d\u2019Alger<br>Distribution&nbsp;: Centre National du Cin\u00e9ma et de l\u2019Audiovisuel<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group px-5\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>Synopsis<\/strong>\u00a0<\/p>\n\n\n\n<p>M\u00e9lange d\u2019images d\u2019archives et de sc\u00e8nes de fiction, le film est un hymne \u00e0 la ville blanche, Alger. \u00c0 l\u2019origine, c\u2019est une commande de la mairie, d\u00e9tourn\u00e9e par le cin\u00e9aste dont ce sera le seul et unique long-m\u00e9trage. Une \u0153uvre po\u00e9tique culte et iconoclaste qui nous entra\u00eene \u00e0 la d\u00e9couverte d\u2019Alger, \u00e0 travers la casbah, le port, la ville, au hasard des promenades et des rencontres de Simon et de sa femme, un couple de touristes fran\u00e7ais. Simon reconna\u00eet dans un bistrot un Alg\u00e9rien qu\u2019il a autrefois tortur\u00e9. L\u2019homme le fixe. Pris de panique, Simon s\u2019enfuit.<br><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-uagb-container uagb-block-baf899a1\">\n<p class=\"has-text-align-center m-0 has-white-color has-text-color has-link-color wp-elements-08a0ab0d0e0e77e0ef22ae5d56d51d1d\"><strong>Dimanche 20 &#8211; 16 h 15 &#8211; Cin\u00e9ma l\u2019Eldorado<br>Lundi 21 &#8211; 21 h &#8211; Cin\u00e9ma l\u2019Estran<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-uagb-image uagb-block-48052fe7 wp-block-uagb-image--layout-default wp-block-uagb-image--effect-static wp-block-uagb-image--align-none\"><figure class=\"wp-block-uagb-image__figure\"><img decoding=\"async\" srcset=\"https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/zinet_portrait_site.jpg ,https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/zinet_portrait_site.jpg 780w, https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/zinet_portrait_site.jpg 360w\" sizes=\"auto, (max-width: 480px) 150px\" src=\"https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/zinet_portrait_site.jpg\" alt=\"\" class=\"uag-image-5979\" width=\"1200\" height=\"1024\" title=\"zinet_portrait_site\" loading=\"lazy\" role=\"img\"\/><\/figure><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-uagb-container uagb-block-f4abb14e alignfull uagb-is-root-container\"><div class=\"uagb-container-inner-blocks-wrap\">\n<div class=\"wp-block-uagb-container uagb-block-39958599\">\n<div class=\"wp-block-uagb-image alignleft uagb-block-681f7c98 wp-block-uagb-image--layout-default wp-block-uagb-image--effect-static wp-block-uagb-image--align-left\"><figure class=\"wp-block-uagb-image__figure\"><img decoding=\"async\" srcset=\"https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/mohammed-latreche-e1725569149795-720x1024.jpg ,https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/mohammed-latreche-e1725569149795.jpg 780w, https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/mohammed-latreche-e1725569149795.jpg 360w\" sizes=\"auto, (max-width: 480px) 150px\" src=\"https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/mohammed-latreche-e1725569149795-720x1024.jpg\" alt=\"\" class=\"uag-image-5797\" width=\"664\" height=\"1024\" title=\"mohammed-latreche\" loading=\"lazy\" role=\"img\"\/><\/figure><\/div>\n\n\n\n<div class=\"wp-block-group p-5\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<h3 class=\"wp-block-heading\">Mohammed Latr\u00e8che<\/h3>\n\n\n\n<p><strong>Cin\u00e9aste alg\u00e9rien<\/strong><\/p>\n\n\n\n<p>Mohammed Latr\u00e8che vit et travaille entre la France et l\u2019Alg\u00e9rie. N\u00e9 \u00e0 Sidi-Bel-Abb\u00e8s en 1973, il \u00e9tudie les Sciences politiques \u00e0 Paris, \u00e0 20 ans. Avec Sora Films, sa maison de production, il a produit de nombreux courts, dont Cousines de Lyes Salem (C\u00e9sar 2004) et il distribue en Alg\u00e9rie des longs-m\u00e9trages \u00e9trangers (Les Poup\u00e9es russes de C\u00e9dric Klapisch, Million Dollar Baby de Clint Eastwood, ou Volver de Pedro Almodovar\u2026). Il a r\u00e9alis\u00e9 Rumeurs, etc. (2003), \u00c0 la recherche de l\u2019Emir Abd El-Kader (2004), Boudjem\u00e2a et la maison cin\u00e9ma (2019) et Zinet, Alger, le Bonheur.<\/p>\n\n\n\n<div class=\"wp-block-uagb-buttons uagb-buttons__outer-wrap uagb-btn__default-btn uagb-btn-tablet__default-btn uagb-btn-mobile__default-btn uagb-block-987d03bb\"><div class=\"uagb-buttons__wrap uagb-buttons-layout-wrap \">\n<div class=\"wp-block-uagb-buttons-child uagb-buttons__outer-wrap uagb-block-007e5627 wp-block-button\"><div class=\"uagb-button__wrapper\"><a class=\"uagb-buttons-repeater wp-block-button__link\" aria-label=\"\" href=\"\/intervenant\/mohammed-latreche\" rel=\"follow noopener\" target=\"_self\" role=\"button\"><div class=\"uagb-button__link\">En savoir plus<\/div><\/a><\/div><\/div>\n<\/div><\/div>\n<\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-uagb-container uagb-block-10d2a7cd\">\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top border-bottom\" style=\"grid-template-columns:40% auto\"><figure class=\"wp-block-media-text__media\"><a href=\"https:\/\/visionsdafrique.fr\/2024\/film\/joe-ouakam\/\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/18_zinet-alger-le-bonheur_documentaire-1024x1024.jpg\" alt=\"\" class=\"wp-image-5971 size-full\" srcset=\"https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/18_zinet-alger-le-bonheur_documentaire-1024x1024.jpg 1024w, https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/18_zinet-alger-le-bonheur_documentaire-300x300.jpg 300w, https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/18_zinet-alger-le-bonheur_documentaire-150x150.jpg 150w, https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/18_zinet-alger-le-bonheur_documentaire-768x768.jpg 768w, https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/18_zinet-alger-le-bonheur_documentaire.jpg 1280w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-text-align-center custom-tag\">Documentaire<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Zinet, Alger, le bonheur<\/strong><\/h3>\n\n\n\n<p><strong>de Mohammed Latr\u00e8che&nbsp;<\/strong><br>S\u00e9n\u00e9gal \u2022 2010 \u2022 Documentaire \u2022 25 minutes \u2022 Couleur<br>Production, distribution : DDM Cin\u00e9ma<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group px-5\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>Synopsis<\/strong>&nbsp;<\/p>\n\n\n\n<p>M\u00e9lange d\u2019images d\u2019archives et de sc\u00e8nes de fiction, le film est un hymne \u00e0 la ville blanche, Alger. \u00c0 l\u2019origine, c\u2019est une commande de la mairie, d\u00e9tourn\u00e9e par le cin\u00e9aste dont ce sera le seul et unique long-m\u00e9trage. Une \u0153uvre po\u00e9tique culte et iconoclaste qui nous entra\u00eene \u00e0 la d\u00e9couverte d\u2019Alger, \u00e0 travers la casbah, le port, la ville, au hasard des promenades et des rencontres de Simon et de sa femme, un couple de touristes fran\u00e7ais. Simon reconna\u00eet dans un bistrot un Alg\u00e9rien qu\u2019il a autrefois tortur\u00e9. L\u2019homme le fixe. Pris de panique, Simon s\u2019enfuit.<br><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-uagb-container uagb-block-15ff7b0c\">\n<p class=\"has-text-align-center m-0 has-white-color has-text-color has-link-color wp-elements-e18dc26b599a911c17ac407b4e90bc42\"><strong>Dimanche 20 &#8211; 15 h &#8211; Cin\u00e9ma l\u2019Eldorado<br>Lundi 21 &#8211; 18 h &#8211; Cin\u00e9ma l\u2019Estran<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-uagb-image uagb-block-6cbb472e wp-block-uagb-image--layout-default wp-block-uagb-image--effect-static wp-block-uagb-image--align-none\"><figure class=\"wp-block-uagb-image__figure\"><img decoding=\"async\" srcset=\"https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/zinet_tabledemontage-1024x576.jpg ,https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/zinet_tabledemontage.jpg 780w, https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/zinet_tabledemontage.jpg 360w\" sizes=\"auto, (max-width: 480px) 150px\" src=\"https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/zinet_tabledemontage-1024x576.jpg\" alt=\"\" class=\"uag-image-5976\" width=\"1200\" height=\"1024\" title=\"zinet_tabledemontage\" loading=\"lazy\" role=\"img\"\/><\/figure><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<h2 class=\"wp-block-heading px-5\">Les intervenants<\/h2>\n\n\n\n<div class=\"wp-block-uagb-container uagb-block-85e0d917 alignfull uagb-is-root-container\"><div class=\"uagb-container-inner-blocks-wrap\">\n<div class=\"wp-block-uagb-container uagb-block-f6444e83\">\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-center border-bottom\"><figure class=\"wp-block-media-text__media\"><a href=\"https:\/\/visionsdafrique.fr\/2024\/film\/joe-ouakam\/\"><img loading=\"lazy\" decoding=\"async\" width=\"684\" height=\"1024\" src=\"https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2021\/09\/Catherine-Ruelle-Critique-Journaliste-684x1024.jpg\" alt=\"\" class=\"wp-image-3823 size-full\" srcset=\"https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2021\/09\/Catherine-Ruelle-Critique-Journaliste-684x1024.jpg 684w, https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2021\/09\/Catherine-Ruelle-Critique-Journaliste-200x300.jpg 200w, https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2021\/09\/Catherine-Ruelle-Critique-Journaliste-768x1151.jpg 768w, https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2021\/09\/Catherine-Ruelle-Critique-Journaliste-16x24.jpg 16w, https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2021\/09\/Catherine-Ruelle-Critique-Journaliste-24x36.jpg 24w, https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2021\/09\/Catherine-Ruelle-Critique-Journaliste-32x48.jpg 32w, https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2021\/09\/Catherine-Ruelle-Critique-Journaliste.jpg 801w\" sizes=\"auto, (max-width: 684px) 100vw, 684px\" \/><\/a><\/figure><div class=\"wp-block-media-text__content\">\n<h3 class=\"wp-block-heading\">Catherine Ruelle<\/h3>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group p-5\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p>Journaliste politique (relations internationales) et critique de cin\u00e9ma, elle a fait une grande partie de sa carri\u00e8re \u00e0 RFI, particip\u00e9 \u00e0 de nombreux jurys, (Namur, Amiens, Fespaco, Rabat) co-\u00e9crit plusieurs ouvrages consacr\u00e9s aux cin\u00e9mas d\u2019Afrique, dont <em>Afriques 50, singularit\u00e9s d\u2019un cin\u00e9ma pluriel <\/em>ou <em>Djibril Diop Mambety ou le voyage de la Hy\u00e8ne<\/em>. Intervenante \u00e0 <em>Visions d\u2019Afrique<\/em>, depuis sa cr\u00e9ation, vice-pr\u00e9sidente de l\u2019association <em>Afriques en sc\u00e8ne.<\/em><\/p>\n\n\n\n<div class=\"wp-block-uagb-buttons uagb-buttons__outer-wrap uagb-btn__default-btn uagb-btn-tablet__default-btn uagb-btn-mobile__default-btn uagb-block-f40544b2\"><div class=\"uagb-buttons__wrap uagb-buttons-layout-wrap \">\n<div class=\"wp-block-uagb-buttons-child uagb-buttons__outer-wrap uagb-block-9fd30661 wp-block-button\"><div class=\"uagb-button__wrapper\"><a class=\"uagb-buttons-repeater wp-block-button__link\" aria-label=\"\" href=\"\/intervenant\/catherine-ruelle\" rel=\"follow noopener\" target=\"_self\" role=\"button\"><div class=\"uagb-button__link\">En savoir plus<\/div><\/a><\/div><\/div>\n<\/div><\/div>\n<\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-uagb-container uagb-block-533e592c\">\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-center border-bottom\"><figure class=\"wp-block-media-text__media\"><a href=\"https:\/\/visionsdafrique.fr\/2024\/film\/joe-ouakam\/\"><img loading=\"lazy\" decoding=\"async\" width=\"684\" height=\"1024\" src=\"https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2021\/09\/Thierno-Ibrahima-Dia-Critique-Enseignant--684x1024.jpg\" alt=\"\" class=\"wp-image-3849 size-full\" srcset=\"https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2021\/09\/Thierno-Ibrahima-Dia-Critique-Enseignant--684x1024.jpg 684w, https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2021\/09\/Thierno-Ibrahima-Dia-Critique-Enseignant--200x300.jpg 200w, https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2021\/09\/Thierno-Ibrahima-Dia-Critique-Enseignant--768x1151.jpg 768w, https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2021\/09\/Thierno-Ibrahima-Dia-Critique-Enseignant--16x24.jpg 16w, https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2021\/09\/Thierno-Ibrahima-Dia-Critique-Enseignant--24x36.jpg 24w, https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2021\/09\/Thierno-Ibrahima-Dia-Critique-Enseignant--32x48.jpg 32w, https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2021\/09\/Thierno-Ibrahima-Dia-Critique-Enseignant-.jpg 801w\" sizes=\"auto, (max-width: 684px) 100vw, 684px\" \/><\/a><\/figure><div class=\"wp-block-media-text__content\">\n<h3 class=\"wp-block-heading\">Thierno<br>Ibrahima Dia<\/h3>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group p-5\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p>Chercheur en Arts et journaliste s\u00e9n\u00e9galais, il enseigne le cin\u00e9ma compar\u00e9 depuis 1999 (Universit\u00e9s Bordeaux Montaigne et Niamey). Jur\u00e9 dans des festivals (Milan, Louxor, Libreville, Durban&#8230;), r\u00e9dacteur en chef d\u2019AFRICIN\u00c9, auteur de nombreux livres, coauteur de <em>Djibril Diop Mambety ou le voyage de la Hy\u00e8ne<\/em> (pr\u00e9face Martin Scorsese. \u00e9d. L\u2019Harmattan, 2020), il intervient \u00e0 <em>Visions d\u2019Afrique<\/em> depuis 2018, notamment aupr\u00e8s du Jeune Public.<br><\/p>\n\n\n\n<div class=\"wp-block-uagb-buttons uagb-buttons__outer-wrap uagb-btn__default-btn uagb-btn-tablet__default-btn uagb-btn-mobile__default-btn uagb-block-b417dec5\"><div class=\"uagb-buttons__wrap uagb-buttons-layout-wrap \">\n<div class=\"wp-block-uagb-buttons-child uagb-buttons__outer-wrap uagb-block-5f96d819 wp-block-button\"><div class=\"uagb-button__wrapper\"><a class=\"uagb-buttons-repeater wp-block-button__link\" aria-label=\"\" href=\"\/intervenant\/thierno-ibrahima-dia\" rel=\"follow noopener\" target=\"_self\" role=\"button\"><div class=\"uagb-button__link\">En savoir plus<\/div><\/a><\/div><\/div>\n<\/div><\/div>\n<\/div><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-uagb-container bottom-link-section uagb-block-c2152a05 alignfull uagb-is-root-container\"><div class=\"uagb-container-inner-blocks-wrap\">\n<div class=\"wp-block-uagb-icon-list uagb-block-f9e30db5\"><div class=\"uagb-icon-list__wrap\">\n<div class=\"wp-block-uagb-icon-list-child uagb-block-6f6f1b1d\"><span class=\"uagb-icon-list__source-wrap\"><svg xmlns=\"https:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 320 512\"><path d=\"M96 480c-8.188 0-16.38-3.125-22.62-9.375c-12.5-12.5-12.5-32.75 0-45.25L242.8 256L73.38 86.63c-12.5-12.5-12.5-32.75 0-45.25s32.75-12.5 45.25 0l192 192c12.5 12.5 12.5 32.75 0 45.25l-192 192C112.4 476.9 104.2 480 96 480z\"><\/path><\/svg><\/span><span class=\"uagb-icon-list__label\">D\u00e9couvrir tous les films<\/span><\/div>\n<\/div><\/div>\n<\/div><a class=\"spectra-container-link-overlay\" rel=\"noopener\" href=\"https:\/\/visionsdafrique.fr\/2024\/films-de-lannee\/\"> <\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Les cin\u00e9astes invit\u00e9s &amp; leurs films Le\u00efla Kilani Cin\u00e9aste marocaine Dipl\u00f4m\u00e9e de l\u2019EHESS, Le\u00efla Kilani commence sa carri\u00e8re comme journaliste et r\u00e9alise \u00e0 22 ans, en 2002, son premier documentaire, Tanger, r\u00eave de br\u00fbleurs, sur de jeunes candidats \u00e0 l\u2019\u00e9migration ; puis Nos lieux interdits en 2008, autour des prisons des ann\u00e9es 1970, sous le [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":6012,"parent":0,"menu_order":4,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_uag_custom_page_level_css":"","footnotes":""},"class_list":["post-385","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"uagb_featured_image_src":{"full":["https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/VISIONS-DAFRIQUE_AFFICHE_2024_VISUE_2L.jpg",1920,1080,false],"thumbnail":["https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/VISIONS-DAFRIQUE_AFFICHE_2024_VISUE_2L-150x150.jpg",150,150,true],"medium":["https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/VISIONS-DAFRIQUE_AFFICHE_2024_VISUE_2L-300x169.jpg",300,169,true],"medium_large":["https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/VISIONS-DAFRIQUE_AFFICHE_2024_VISUE_2L-768x432.jpg",768,432,true],"large":["https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/VISIONS-DAFRIQUE_AFFICHE_2024_VISUE_2L-1024x576.jpg",1024,576,true],"1536x1536":["https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/VISIONS-DAFRIQUE_AFFICHE_2024_VISUE_2L-1536x864.jpg",1536,864,true],"2048x2048":["https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/VISIONS-DAFRIQUE_AFFICHE_2024_VISUE_2L.jpg",1920,1080,false]},"uagb_author_info":{"display_name":"Julien","author_link":"https:\/\/visionsdafrique.fr\/2024\/author\/hapi_admin\/"},"uagb_comment_info":0,"uagb_excerpt":"Les cin\u00e9astes invit\u00e9s &amp; leurs films Le\u00efla Kilani Cin\u00e9aste marocaine Dipl\u00f4m\u00e9e de l\u2019EHESS, Le\u00efla Kilani commence sa carri\u00e8re comme journaliste et r\u00e9alise \u00e0 22 ans, en 2002, son premier documentaire, Tanger, r\u00eave de br\u00fbleurs, sur de jeunes candidats \u00e0 l\u2019\u00e9migration ; puis Nos lieux interdits en 2008, autour des prisons des ann\u00e9es 1970, sous le\u2026","_links":{"self":[{"href":"https:\/\/visionsdafrique.fr\/2024\/wp-json\/wp\/v2\/pages\/385","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/visionsdafrique.fr\/2024\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/visionsdafrique.fr\/2024\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/visionsdafrique.fr\/2024\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/visionsdafrique.fr\/2024\/wp-json\/wp\/v2\/comments?post=385"}],"version-history":[{"count":111,"href":"https:\/\/visionsdafrique.fr\/2024\/wp-json\/wp\/v2\/pages\/385\/revisions"}],"predecessor-version":[{"id":6478,"href":"https:\/\/visionsdafrique.fr\/2024\/wp-json\/wp\/v2\/pages\/385\/revisions\/6478"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/visionsdafrique.fr\/2024\/wp-json\/wp\/v2\/media\/6012"}],"wp:attachment":[{"href":"https:\/\/visionsdafrique.fr\/2024\/wp-json\/wp\/v2\/media?parent=385"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}