{"id":6008,"date":"2024-09-06T18:16:06","date_gmt":"2024-09-06T16:16:06","guid":{"rendered":"https:\/\/visionsdafrique.fr\/2024\/?post_type=intervenants&#038;p=6008"},"modified":"2024-09-06T18:16:08","modified_gmt":"2024-09-06T16:16:08","slug":"mo-harawe","status":"publish","type":"intervenants","link":"https:\/\/visionsdafrique.fr\/2024\/intervenant\/mo-harawe\/","title":{"rendered":"Mo Harawe"},"content":{"rendered":"\n<p>R\u00e9alisateur, sc\u00e9nariste et producteur somalien, n\u00e9 \u00e0 Mogadiscio (Somalie), <strong>Mo Harawe<\/strong> vit \u00e0 Vienne (Autriche) depuis 2009. Il a r\u00e9alis\u00e9 des courts-m\u00e9trages multi-prim\u00e9s. <em>The Story of the Polar Bear That Wanted to Go to Africa <\/em>(2018), <em>Life on the Horn<\/em> (2020, Tanit d\u2019Or aux JCC&nbsp; 2021, Tunisie), <em>1947<\/em> (2020), <em>Will My Parents Come to See Me ? <\/em>(2023, Grand Prix du Festival de Clermont-Ferrand).&nbsp;&nbsp;<\/p>\n\n\n\n<p>Il a cr\u00e9\u00e9 \u00e0 Mogadiscio sa maison de production Maanmaal ACC. <em>The Village Next to Paradise<\/em> est son premier long-m\u00e9trage.<\/p>\n","protected":false},"featured_media":5813,"template":"","format":"standard","type_dintervenants":[62,11,77],"class_list":["post-6008","intervenants","type-intervenants","status-publish","format-standard","has-post-thumbnail","hentry","type_dintervenants-producteur","type_dintervenants-cineaste","type_dintervenants-scenariste"],"acf":[],"uagb_featured_image_src":{"full":["https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/HARAWE_Mo_2024_Cannes_Credit_Falila_Gbadamassi_Africine-Mag_XLD.jpg",600,427,false],"thumbnail":["https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/HARAWE_Mo_2024_Cannes_Credit_Falila_Gbadamassi_Africine-Mag_XLD-150x150.jpg",150,150,true],"medium":["https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/HARAWE_Mo_2024_Cannes_Credit_Falila_Gbadamassi_Africine-Mag_XLD-300x214.jpg",300,214,true],"medium_large":["https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/HARAWE_Mo_2024_Cannes_Credit_Falila_Gbadamassi_Africine-Mag_XLD.jpg",600,427,false],"large":["https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/HARAWE_Mo_2024_Cannes_Credit_Falila_Gbadamassi_Africine-Mag_XLD.jpg",600,427,false],"1536x1536":["https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/HARAWE_Mo_2024_Cannes_Credit_Falila_Gbadamassi_Africine-Mag_XLD.jpg",600,427,false],"2048x2048":["https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/HARAWE_Mo_2024_Cannes_Credit_Falila_Gbadamassi_Africine-Mag_XLD.jpg",600,427,false]},"uagb_author_info":{"display_name":"Julien","author_link":"https:\/\/visionsdafrique.fr\/2024\/author\/"},"uagb_comment_info":0,"uagb_excerpt":"R\u00e9alisateur, sc\u00e9nariste et producteur somalien, n\u00e9 \u00e0 Mogadiscio (Somalie), Mo Harawe vit \u00e0 Vienne (Autriche) depuis 2009. Il a r\u00e9alis\u00e9 des courts-m\u00e9trages multi-prim\u00e9s. The Story of the Polar Bear That Wanted to Go to Africa (2018), Life on the Horn (2020, Tanit d\u2019Or aux JCC&nbsp; 2021, Tunisie), 1947 (2020), Will My Parents Come to See\u2026","_links":{"self":[{"href":"https:\/\/visionsdafrique.fr\/2024\/wp-json\/wp\/v2\/intervenants\/6008","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/visionsdafrique.fr\/2024\/wp-json\/wp\/v2\/intervenants"}],"about":[{"href":"https:\/\/visionsdafrique.fr\/2024\/wp-json\/wp\/v2\/types\/intervenants"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/visionsdafrique.fr\/2024\/wp-json\/wp\/v2\/media\/5813"}],"wp:attachment":[{"href":"https:\/\/visionsdafrique.fr\/2024\/wp-json\/wp\/v2\/media?parent=6008"}],"wp:term":[{"taxonomy":"type_dintervenants","embeddable":true,"href":"https:\/\/visionsdafrique.fr\/2024\/wp-json\/wp\/v2\/type_dintervenants?post=6008"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}