{"id":6006,"date":"2024-09-06T18:02:00","date_gmt":"2024-09-06T16:02:00","guid":{"rendered":"https:\/\/visionsdafrique.fr\/2024\/?post_type=intervenants&#038;p=6006"},"modified":"2024-09-06T18:02:02","modified_gmt":"2024-09-06T16:02:02","slug":"myriam-u-birara","status":"publish","type":"intervenants","link":"https:\/\/visionsdafrique.fr\/2024\/intervenant\/myriam-u-birara\/","title":{"rendered":"Myriam U. Birara"},"content":{"rendered":"\n<p>La r\u00e9alisatrice rwandaise <strong>Myriam Umiragiye Birara, <\/strong>n\u00e9e en 1992 en RDC \u00e0 Masisi, a commenc\u00e9 sa carri\u00e8re cin\u00e9matographique en 2010, alors qu\u2019elle \u00e9tait encore au lyc\u00e9e. \u00c0 son actif plusieurs courts-m\u00e9trages, <em>Painted Stories<\/em> (2018), <em>Dream Job<\/em> (2019) et <em>Home<\/em> (2021) qui<em> <\/em>\u00e9voquait d\u00e9j\u00e0 le sort d&rsquo;une jeune femme fuyant un mariage abusif et cherchant en vain du soutien aupr\u00e8s de sa famille. <em>The Bride<\/em> est son premier long-m\u00e9trage.<br><\/p>\n","protected":false},"featured_media":5814,"template":"","format":"standard","type_dintervenants":[53],"class_list":["post-6006","intervenants","type-intervenants","status-publish","format-standard","has-post-thumbnail","hentry","type_dintervenants-realisatrice"],"acf":[],"uagb_featured_image_src":{"full":["https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/Myriam_U._BIRARA-scaled.webp",2560,2186,false],"thumbnail":["https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/Myriam_U._BIRARA-150x150.webp",150,150,true],"medium":["https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/Myriam_U._BIRARA-300x256.webp",300,256,true],"medium_large":["https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/Myriam_U._BIRARA-768x656.webp",768,656,true],"large":["https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/Myriam_U._BIRARA-1024x874.webp",1024,874,true],"1536x1536":["https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/Myriam_U._BIRARA-1536x1312.webp",1536,1312,true],"2048x2048":["https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/Myriam_U._BIRARA-2048x1749.webp",2048,1749,true]},"uagb_author_info":{"display_name":"Julien","author_link":"https:\/\/visionsdafrique.fr\/2024\/author\/"},"uagb_comment_info":0,"uagb_excerpt":"La r\u00e9alisatrice rwandaise Myriam Umiragiye Birara, n\u00e9e en 1992 en RDC \u00e0 Masisi, a commenc\u00e9 sa carri\u00e8re cin\u00e9matographique en 2010, alors qu\u2019elle \u00e9tait encore au lyc\u00e9e. \u00c0 son actif plusieurs courts-m\u00e9trages, Painted Stories (2018), Dream Job (2019) et Home (2021) qui \u00e9voquait d\u00e9j\u00e0 le sort d&rsquo;une jeune femme fuyant un mariage abusif et cherchant en\u2026","_links":{"self":[{"href":"https:\/\/visionsdafrique.fr\/2024\/wp-json\/wp\/v2\/intervenants\/6006","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/visionsdafrique.fr\/2024\/wp-json\/wp\/v2\/intervenants"}],"about":[{"href":"https:\/\/visionsdafrique.fr\/2024\/wp-json\/wp\/v2\/types\/intervenants"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/visionsdafrique.fr\/2024\/wp-json\/wp\/v2\/media\/5814"}],"wp:attachment":[{"href":"https:\/\/visionsdafrique.fr\/2024\/wp-json\/wp\/v2\/media?parent=6006"}],"wp:term":[{"taxonomy":"type_dintervenants","embeddable":true,"href":"https:\/\/visionsdafrique.fr\/2024\/wp-json\/wp\/v2\/type_dintervenants?post=6006"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}