{"id":5987,"date":"2024-09-06T17:18:20","date_gmt":"2024-09-06T15:18:20","guid":{"rendered":"https:\/\/visionsdafrique.fr\/2024\/?post_type=intervenants&#038;p=5987"},"modified":"2024-09-06T17:18:22","modified_gmt":"2024-09-06T15:18:22","slug":"laurent-chevallier","status":"publish","type":"intervenants","link":"https:\/\/visionsdafrique.fr\/2024\/intervenant\/laurent-chevallier\/","title":{"rendered":"Laurent Chevallier"},"content":{"rendered":"\n<p><strong>Laurent Chevallier<\/strong>, n\u00e9 en 1955, s\u2019oriente d\u00e8s ses \u00e9tudes vers le documentaire. Assistant cam\u00e9raman, directeur de la photographie pour des r\u00e9alisateurs comme Jean-Jacques Beineix, Ren\u00e9 Allio, Patrice Leconte, il r\u00e9alise d\u00e8s 1979 de nombreux documentaires pour la t\u00e9l\u00e9vision fran\u00e7aise. En 1990, <em>Djembefola <\/em>l\u2019am\u00e8ne en Guin\u00e9e o\u00f9 il va r\u00e9aliser <em>L\u2019Enfant Noir (<\/em>1995), adapt\u00e9 du roman de Camara Laye, <em>Circus Baobab (<\/em>2000), <em>Hadja Mo\u00ef (<\/em>2005), <em>Momo le doyen (<\/em>2006), <em>La Trace de Kandia <\/em>(2014) et, enfin, <em>Le Courage en plus.<\/em>\u00a0<br><\/p>\n","protected":false},"featured_media":5988,"template":"","format":"standard","type_dintervenants":[81],"class_list":["post-5987","intervenants","type-intervenants","status-publish","format-standard","has-post-thumbnail","hentry","type_dintervenants-documentariste"],"acf":[],"uagb_featured_image_src":{"full":["https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/BCF2D50138EA460CA50AED24CEC84D4F-1.jpg",400,270,false],"thumbnail":["https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/BCF2D50138EA460CA50AED24CEC84D4F-1-150x150.jpg",150,150,true],"medium":["https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/BCF2D50138EA460CA50AED24CEC84D4F-1-300x203.jpg",300,203,true],"medium_large":["https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/BCF2D50138EA460CA50AED24CEC84D4F-1.jpg",400,270,false],"large":["https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/BCF2D50138EA460CA50AED24CEC84D4F-1.jpg",400,270,false],"1536x1536":["https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/BCF2D50138EA460CA50AED24CEC84D4F-1.jpg",400,270,false],"2048x2048":["https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/BCF2D50138EA460CA50AED24CEC84D4F-1.jpg",400,270,false]},"uagb_author_info":{"display_name":"Julien","author_link":"https:\/\/visionsdafrique.fr\/2024\/author\/"},"uagb_comment_info":0,"uagb_excerpt":"Laurent Chevallier, n\u00e9 en 1955, s\u2019oriente d\u00e8s ses \u00e9tudes vers le documentaire. Assistant cam\u00e9raman, directeur de la photographie pour des r\u00e9alisateurs comme Jean-Jacques Beineix, Ren\u00e9 Allio, Patrice Leconte, il r\u00e9alise d\u00e8s 1979 de nombreux documentaires pour la t\u00e9l\u00e9vision fran\u00e7aise. En 1990, Djembefola l\u2019am\u00e8ne en Guin\u00e9e o\u00f9 il va r\u00e9aliser L\u2019Enfant Noir (1995), adapt\u00e9 du roman\u2026","_links":{"self":[{"href":"https:\/\/visionsdafrique.fr\/2024\/wp-json\/wp\/v2\/intervenants\/5987","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/visionsdafrique.fr\/2024\/wp-json\/wp\/v2\/intervenants"}],"about":[{"href":"https:\/\/visionsdafrique.fr\/2024\/wp-json\/wp\/v2\/types\/intervenants"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/visionsdafrique.fr\/2024\/wp-json\/wp\/v2\/media\/5988"}],"wp:attachment":[{"href":"https:\/\/visionsdafrique.fr\/2024\/wp-json\/wp\/v2\/media?parent=5987"}],"wp:term":[{"taxonomy":"type_dintervenants","embeddable":true,"href":"https:\/\/visionsdafrique.fr\/2024\/wp-json\/wp\/v2\/type_dintervenants?post=5987"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}