{"id":5916,"date":"2024-09-06T00:10:36","date_gmt":"2024-09-05T22:10:36","guid":{"rendered":"https:\/\/visionsdafrique.fr\/2024\/?post_type=film&#038;p=5916"},"modified":"2024-09-09T10:05:18","modified_gmt":"2024-09-09T08:05:18","slug":"ernest-cole-photographe","status":"publish","type":"film","link":"https:\/\/visionsdafrique.fr\/2024\/film\/ernest-cole-photographe\/","title":{"rendered":"Ernest Cole, photographe"},"content":{"rendered":"\n<h3 class=\"wp-block-heading\">Synopsis<\/h3>\n\n\n\n<p>\u00c0 27 ans, en 1967, Ernest Cole, photographe sud-africain aujourd\u2019hui oubli\u00e9, publie <em>House of Bondage<\/em>, un livre de photos qui r\u00e9v\u00e8le au monde entier la r\u00e9alit\u00e9 quotidienne et les horreurs de l\u2019apartheid. Il sera forc\u00e9 de s\u2019exiler \u00e0 New York et en Europe (Su\u00e8de notamment) pour le reste de sa vie, sans jamais retrouver ses rep\u00e8res. Ce sont ses errances, ses tourments d\u2019artiste, sa col\u00e8re au quotidien face au silence ou \u00e0 la complicit\u00e9 du monde occidental devant les horreurs du r\u00e9gime de l\u2019apartheid que raconte Raoul Peck. Il raconte aussi comment, en 2017, 60 000 n\u00e9gatifs du travail de E. Cole ont \u00e9t\u00e9 d\u00e9couverts dans le coffre d\u2019une banque su\u00e9doise.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Plus sur le film<\/h3>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Le cin\u00e9aste ha\u00eftien Raoul Peck \u00e9voque &quot;Ernest Cole, Lost and Found&quot; \u2022 RFI\" width=\"1170\" height=\"658\" src=\"https:\/\/www.youtube.com\/embed\/QeShZaEixCk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><strong>Festivals et prix<\/strong><\/p>\n\n\n\n<p>Cannes 2024, prix de L\u2019\u0152il d\u2019or.<\/p>\n<\/blockquote>\n","protected":false},"featured_media":5816,"template":"","edition-festival":[79],"class_list":["post-5916","film","type-film","status-publish","has-post-thumbnail","hentry","edition-festival-79"],"acf":[],"uagb_featured_image_src":{"full":["https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/01_Ernest-Cole-photographe_documentaire.webp",1200,1600,false],"thumbnail":["https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/01_Ernest-Cole-photographe_documentaire-150x150.webp",150,150,true],"medium":["https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/01_Ernest-Cole-photographe_documentaire-225x300.webp",225,300,true],"medium_large":["https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/01_Ernest-Cole-photographe_documentaire-768x1024.webp",768,1024,true],"large":["https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/01_Ernest-Cole-photographe_documentaire-768x1024.webp",768,1024,true],"1536x1536":["https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/01_Ernest-Cole-photographe_documentaire-1152x1536.webp",1152,1536,true],"2048x2048":["https:\/\/visionsdafrique.fr\/2024\/wp-content\/uploads\/sites\/9\/2024\/09\/01_Ernest-Cole-photographe_documentaire.webp",1200,1600,false]},"uagb_author_info":{"display_name":"Julien","author_link":"https:\/\/visionsdafrique.fr\/2024\/author\/"},"uagb_comment_info":0,"uagb_excerpt":"Synopsis \u00c0 27 ans, en 1967, Ernest Cole, photographe sud-africain aujourd\u2019hui oubli\u00e9, publie House of Bondage, un livre de photos qui r\u00e9v\u00e8le au monde entier la r\u00e9alit\u00e9 quotidienne et les horreurs de l\u2019apartheid. Il sera forc\u00e9 de s\u2019exiler \u00e0 New York et en Europe (Su\u00e8de notamment) pour le reste de sa vie, sans jamais retrouver\u2026","_links":{"self":[{"href":"https:\/\/visionsdafrique.fr\/2024\/wp-json\/wp\/v2\/film\/5916","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/visionsdafrique.fr\/2024\/wp-json\/wp\/v2\/film"}],"about":[{"href":"https:\/\/visionsdafrique.fr\/2024\/wp-json\/wp\/v2\/types\/film"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/visionsdafrique.fr\/2024\/wp-json\/wp\/v2\/media\/5816"}],"wp:attachment":[{"href":"https:\/\/visionsdafrique.fr\/2024\/wp-json\/wp\/v2\/media?parent=5916"}],"wp:term":[{"taxonomy":"edition-festival","embeddable":true,"href":"https:\/\/visionsdafrique.fr\/2024\/wp-json\/wp\/v2\/edition-festival?post=5916"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}