{"id":1668,"date":"2019-09-10T12:03:15","date_gmt":"2019-09-10T10:03:15","guid":{"rendered":"https:\/\/visionsdafrique.fr\/2023\/?post_type=intervenants&#038;p=1668"},"modified":"2022-08-18T12:44:04","modified_gmt":"2022-08-18T10:44:04","slug":"meryam-joobeur","status":"publish","type":"intervenants","link":"https:\/\/visionsdafrique.fr\/2023\/intervenant\/meryam-joobeur\/","title":{"rendered":"Meryam Joobeur"},"content":{"rendered":"<p>Dipl\u00f4m\u00e9e de l\u2019\u00e9cole de cin\u00e9ma Mel Hoppenheim de Montr\u00e9al, la sc\u00e9nariste et r\u00e9alisatrice tuniso-am\u00e9ricaine Meryam Joobeur est notamment connue pour ses courts m\u00e9trages <em><strong>God<\/strong><\/em>, <strong><em>Weeds and<\/em> Revolution<\/strong> (2013) qui traite de la r\u00e9volution et <em><strong>Born In the Maelstrom<\/strong><\/em> (2017) qui aborde le th\u00e8me de l&rsquo;identit\u00e9.<\/p>\n<blockquote><p><strong>Elle a r\u00e9alis\u00e9 en 2018 un troisi\u00e8me court m\u00e9trage<\/strong> de fiction <em><strong>Brotherhood<\/strong> <\/em>(Fraternit\u00e9) qui a obtenu de nombreux prix, notamment \u00e0 Clermond-Ferrand et au Journ\u00e9es Cin\u00e9matographiques de Carthage o\u00f9 il a re\u00e7u le Tanit d&rsquo;or du court m\u00e9trage en 2018.<\/p><\/blockquote>\n","protected":false},"featured_media":1669,"template":"","format":"standard","type_dintervenants":[53],"class_list":["post-1668","intervenants","type-intervenants","status-publish","format-standard","has-post-thumbnail","hentry","type_dintervenants-realisatrice"],"acf":[],"uagb_featured_image_src":{"full":["https:\/\/visionsdafrique.fr\/2023\/wp-content\/uploads\/sites\/8\/2019\/09\/Meryam-Joobeur.jpg",468,263,false],"thumbnail":["https:\/\/visionsdafrique.fr\/2023\/wp-content\/uploads\/sites\/8\/2019\/09\/Meryam-Joobeur-150x150.jpg",150,150,true],"medium":["https:\/\/visionsdafrique.fr\/2023\/wp-content\/uploads\/sites\/8\/2019\/09\/Meryam-Joobeur-300x169.jpg",300,169,true],"medium_large":["https:\/\/visionsdafrique.fr\/2023\/wp-content\/uploads\/sites\/8\/2019\/09\/Meryam-Joobeur.jpg",468,263,false],"large":["https:\/\/visionsdafrique.fr\/2023\/wp-content\/uploads\/sites\/8\/2019\/09\/Meryam-Joobeur.jpg",468,263,false],"1536x1536":["https:\/\/visionsdafrique.fr\/2023\/wp-content\/uploads\/sites\/8\/2019\/09\/Meryam-Joobeur.jpg",468,263,false],"2048x2048":["https:\/\/visionsdafrique.fr\/2023\/wp-content\/uploads\/sites\/8\/2019\/09\/Meryam-Joobeur.jpg",468,263,false]},"uagb_author_info":{"display_name":"Julien","author_link":"https:\/\/visionsdafrique.fr\/2023\/author\/"},"uagb_comment_info":0,"uagb_excerpt":"Dipl\u00f4m\u00e9e de l\u2019\u00e9cole de cin\u00e9ma Mel Hoppenheim de Montr\u00e9al, la sc\u00e9nariste et r\u00e9alisatrice tuniso-am\u00e9ricaine Meryam Joobeur est notamment connue pour ses courts m\u00e9trages God, Weeds and Revolution (2013) qui traite de la r\u00e9volution et Born In the Maelstrom (2017) qui aborde le th\u00e8me de l&rsquo;identit\u00e9. Elle a r\u00e9alis\u00e9 en 2018 un troisi\u00e8me court m\u00e9trage de\u2026","_links":{"self":[{"href":"https:\/\/visionsdafrique.fr\/2023\/wp-json\/wp\/v2\/intervenants\/1668","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/visionsdafrique.fr\/2023\/wp-json\/wp\/v2\/intervenants"}],"about":[{"href":"https:\/\/visionsdafrique.fr\/2023\/wp-json\/wp\/v2\/types\/intervenants"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/visionsdafrique.fr\/2023\/wp-json\/wp\/v2\/media\/1669"}],"wp:attachment":[{"href":"https:\/\/visionsdafrique.fr\/2023\/wp-json\/wp\/v2\/media?parent=1668"}],"wp:term":[{"taxonomy":"type_dintervenants","embeddable":true,"href":"https:\/\/visionsdafrique.fr\/2023\/wp-json\/wp\/v2\/type_dintervenants?post=1668"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}